User:KrikIDDQD/SandBox

= Interesting links =


 * https://80shinrgeurobeat.com
 * https://80shinrgeurobeat.com/2021/12/17/january-june-1985-hi-nrg-goes-euro/
 * https://80shinrgeurobeat.com/2022/04/25/1985-a-melting-pot-of-hi-nrg-pop-rock-italo-disco-euro-disco-turns-into-eurobeat/
 * https://ler.letras.up.pt/uploads/ficheiros/19288.pdf
 * https://worldradiohistory.com/UK/Record-Mirror/80s/85/Record-Mirror-1985-12-14.pdf - "EUROBEAT is the new name by which DJs are calling the now outmoded and not strictly accurate Hi-NRG, although the criteria behind this chart remain the same."
 * https://archive.org/details/Dmr19901007LG/page/n13/mode/2up
 * https://www.discogs.com/label/21968-Eurobeat-Records - one of Bobby Orlando's countless labels specifically for Eurobeat (in the original sense).
 * https://archive.org/details/the-wire-magazine-1993-06-cbz/page/n37/mode/2up?q=eurobeat
 * https://www.google.com/books/edition/Energy_Flash/CXPZyYHLd-kC?hl=en&gbpv=1&pg=PA1984
 * https://www.google.com/books/edition/The_Last_Post/UgjpAAAAIAAJ?hl=en&gbpv=1&pg=PA115
 * https://archive.org/details/sim_boston-phoenix_january-10-16-1997_26_2/page/41/mode/2up?q=eurobeat

The Japanese use of the term actually reflects the original state:

 * https://ja.wikipedia.org/wiki/ユーロビート
 * http://kayokyokuplus.blogspot.com/2013/12/marcos-vs-80s-playlist-eurobeat-edition.html
 * http://www.nrgexpress.com/whats/history.htm

British Eurobeat
= Italobeat =

Structure
The average tempo of Italobeat is slightly faster than classic Italo, being around 130±5 BPM. At the same time, the tempo is not a fundamental feature of the genre (which is true for all Eurobeat in general, however) and fluctuates in a very wide range from a very slow 105 BPM to a fast 140 BPM, the main thing is that the melody continues to maintain its rhythm (which becomes increasingly difficult to do as the speed decreases).

Italobeat is in many ways extremely similar to Spacesynth, a related genre also derived from Italo-disco and Hi-NRG (and partly from Italobeat) and being a predominantly instrumental progressive form of Italo-disco with a futuristic aesthetics. The structure and emphases of the two genres are similar to such an extent that introducing a classic song form with regular vocals into Spacesynth will most often turn a tune into the odd-sounding Italobeat that was often heard in the works of Made Up Records. Italobeat is also somewhat similar to Sleaze-NRG - a kind of slow and calm antonym of Eurobeat, represented in particular by the works of Savage, Gazebo and Valerie Dore, which, like Italobeat, focuses on monotonous bass with pronounced drums, but does it in a very minimalistic melancholic form.

Bass
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 * Octave

Song examples: Rose - "Perfect Time", Alphatown - "The Power of My Love", Norma Sheffield - "Your Body Lies"

The second most common type of bass, where one note is played on three out of four beats (usually the first, third and fourth), thereby creating a swift rhythm, reminiscent of a galloping horse. Usually octave, but can also be simply monotonous. The downbeat is generally emphasized by something - for example, a different octave or volume. The most common variation is A3/--/A4/A4.
 * Gallop

Song examples: Chip Chip - "So Close to Heaven", Robert Camero - "Deep in Love", F.C.F. - "Bad Desire"

The heritage of Hi-NRG, for which it is the hallmark. A variation of an octave, where each note is repeated one more time (i.e., it doesn't look like A3/--/A4/--, but A3/A3/A4/A4), which makes the bass seem to roll across the entire octave back and forth. It is not very common in Eurobeat, but is very characteristic of related Spacesynth, where this is the most common variant.
 * Double octave (aka Rolling)

Song examples: Silver Pozzoli - "Love is the Best", Green Olives ‎– "Jive Into the Night", Fred Ventura - "One Day"

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 * Flat

Song examples: Max Coveri - "Bye Bye Baby", Ciao Ciao - "Don't Go Breaking My Heart", Lou Grant - "What Kind of Cure"

A short octave or flat repetitive pattern occupying no more than two bars. It's usually interspersed with some other type (as for example in Wild Reputation, where a regular octave bass sounds in the verses, and a pattern in the chorus and riff). It is not very common in Italobeat, but is more widespread in later Italian Eurobeat forms.
 * Pattern

Song examples: Aleph - "Big Brother", D. Essex - "Love & Celebration"





Percussion
This percussion system, having finally settled down by the end of the 1980s, will be inherited by the early 90s Eurobeat almost without any changes and will be characteristic of all Eurobeat until the mid-90s, where early Eurobeat will begin to be replaced by the modern form.